Slaid Cleaves
The music of Austin-based singer/songwriter and guitarist Slaid Cleaves is rooted in country and traditional folk songs, but it is unusual enough to have held interest in a sea of singer/songwriters across the 1990s, 2000s, and 2010s. While he released a handful of recordings during the early ’90s, he gained significant notice with No Angel Knows, which was released on Rounder’s Philo subsidiary in 1997. Joined by former Lucinda Williams guitarist Gurf Morlix, Cleaves combined his passion for folk songs, blues, and traditional country music into an amalgamation of styles known as Americana. Not surprisingly, the album rode high into the charts at Americana-formatted radio stations around the U.S. and Canada in 1997. The release set the tone for the rest of his career.

After many years in Portland, Maine, he sought new mountains to climb, and found some of them after moving to Austin, Texas, in 1992. Despite the echelon of great singer/songwriters like Jimmie Dale Gilmore, Lucinda Williams, Robert Earl Keen, Guy Clark, and Joe Ely all centered around the Austin scene, Cleaves was able to make a name for himself there.

During the following decade, Cleaves released Broke Down (2000) and Wishbones (2004) prior to switching to Rounder proper for Unsung (2006). After signing with Jimmy LaFave and Kelcy Warren’s Music Road label, he issued Everything You Love Will Be Taken Away (2009, featuring liner notes from fan Stephen King), the two-disc Sorrow & Smoke: Live at the Horseshoe Lounge (2011), and Still Fighting the War (2013). The title song of the latter album was inspired by Craig F. Walker’s Pulitzer-winning photo essay regarding a soldier’s postwar civilian life. 2017’s Ghost on the Car Radio found Cleaves exploring the traditions of American small town life.

Robbie Fulks
Nominated for two 2017 Grammy Awards: Best Folk Album (Upland Stories) and Best American Roots Song (“Alabama at Night”)!

Robbie Fulks was born in York, Pennsylvania, and grew up in a half-dozen small towns in southeast Pennsylvania, the North Carolina Piedmont, and the Blue Ridge area of Virginia. He learned guitar from his dad, banjo from Earl Scruggs and John Hartford records, and fiddle (long since laid down in disgrace) on his own. He attended Columbia College in New York City in 1980 and dropped out in 1982 to focus on the Greenwich Village songwriter scene and other ill-advised pursuits.

In the mid-1980s, he moved to Chicago and joined Greg Cahill’s Special Consensus Bluegrass Band, with whom he made one record (Hole in My Heart, Turquoise, 1989) and toured constantly. Since then, he has gone on to create a multifarious career in music. He was a staff instructor in guitar and ensemble at Old Town School of Folk Music from 1984 to 1996. He worked on Nashville’s Music Row as a staff songwriter for Songwriters Ink (Joe Diffie, Tim McGraw, Ty Herndon) from 1993 to 1998. He has released 10 solo records on the Bloodshot, Geffen, Boondoggle (self), and Yep Roc labels, including the influential early alt-country records Country Love Songs (1996) and South Mouth (1997), and the widely acclaimed Georgia Hard (2005).

Radio: multiple appearances on WSM’s “Grand Ole Opry”; PRI’s “Whadd’ya Know”; NPR’s “Fresh Air,” “Mountain Stage,” and “World Cafe”; and the syndicated “Acoustic Cafe” and “Laura Ingraham Show.” TV: PBS’s Austin City Limits; NBC’s Today, Late Night with Conan O’Brien, Last Call with Carson Daly, and 30 Rock. TV/film use of his music includes True Blood, My Name Is Earl, Mary Shelley’s Frankenhole, Very Bad Things, and Flintstones in Viva Rock Vegas, and he has voiced or sung campaigns for Budweiser, McDonald’s, Nickelodeon, and Applebee’s.

Robbie’s writing on music and life have appeared in GQ, Blender, Chicago Reader, DaCapo Press’s Best Music Writing anthologies for 2001 and 2004, Amplified: Fiction from Leading Alt-Country, Indie Rock, Blues and Folk Musicians, and A Guitar and A Pen: Stories by Country Music’s Greatest Songwriters. As an instrumentalist, he has accompanied the Irish fiddle master Liz Carroll, the distinguished jazz violinist Jenny Scheinman, and the New Orleans pianist Dr. John. As a producer, his credits include Touch My Heart: A Tribute to Johnny Paycheck (Sugar Hill, 2004) and Big Thinkin’ by Dallas Wayne (Hightone, 2000). Theatrical credits include Woody Guthrie’s American Song and Harry Chapin’s Cottonpatch Gospel.

Robbie Fulks’s newest album is a collaborative album with Memphis rock-n-roll legend Linda Gail Lewis. Wild! Wild! Wild! will be available on August 10th, 2018.